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LOS ANGELES â Batman saves Gotham. Can he do the same thing for Fox?
When the big broadcast networks arrive in New York on Monday to unveil their fall schedules and compete for their share of $60 billion in total annual TV ad spending, Fox will feel a particular pressure to leave marketers with pinwheels in their eyes. And the network is counting on a young Bruce Wayne to do it.
âGotham,â one of the most-talked-about network serials to come along in years, explores the origins of Batmanâs crime-fighting ally, Commissioner James Gordon. Young versions of villains like Penguin, Riddler, Poison Ivy, Catwoman and, eventually, the Joker will figure prominently in the series. (Penguin is not yet a mobster, for instance; heâs a gofer for a gangster.)
Underscoring the level of anticipation, a movie-style trailer for âGothamâ released last week by Fox and its studio partner, Warner Bros. Television, generated almost six million views in its first five days online.
Fox urgently needs new hits. For the season to date among adults under 50, Foxâs audience is flat compared with the same period last year â and that includes the bump it got from broadcasting the most-watched Super Bowl in history. Excluding sports, the audience for Foxâs prime-time entertainment lineup has fallen roughly 17 percent, according to Nielsen data, led by the precipitous decline of its longtime flagship show, âAmerican Idol.â
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Credit Monica Almeida/The New York Times
âFox has the most to prove,â said David Campanelli, senior vice president and director for national television at Horizon Media, referring to the ad-selling presentations, or upfronts.
Predicting hit television shows is more difficult than ever, and âGothamâ is certainly not a sure thing. Ripped-from-comic-book programs like âMarvelâs Agents of S.H.I.E.L.D.â have been considered disappointments, wilting under advance hype and proving inaccessible for many of the networkâs rank-and-file viewers. But if handled properly, ad buyers and longtime television producers say, âGothamâ could be a hit.
âThereâs a huge opportunity as long as we keep our eyes on whatâs important, which is to create a great television show with captivating characters and tight storytelling,â Kevin Reilly, Foxâs entertainment chairman, said in an interview. âWe canât get caught up in the trappings of the franchise or assume this show is a gimme.â
Mr. Reilly, who successfully shepherded âHeroesâ to the small screen as NBCâs programming chief in 2006, acknowledged the risk of overly high expectations. âSometimes the fanfare and promise of these big ideas can underwhelm,â he said. âBut did you see our trailer? So far, I couldnât be happier. The goods are there.â
Despite the risks, networks are turning to superhero stories as they scratch for ideas that instantly grab viewer attention and stand a chance of attracting young men, a particularly difficult audience for prime-time programs to consistently reach. ABC renewed âS.H.I.E.L.D.â for a second season on Thursday and ordered episodes of a companion drama called âMarvelâs Agent Carter,â a period spinoff from the âCaptain Americaâ movie series. NBC next season will add âConstantine,â a demon-hunting fantasy adapted from the DC Comics property âHellblazer.â
The CW will have no less than three comic-based shows on its schedule next season: âArrow,â based on the Green Arrow; âThe Flash,â about a scientist who gains the power of super speed after a freak accident; and âiZombie,â a drama centered on an undead medical student who works in a coronerâs office.
âGothamâ comes on the heels of Christopher Nolanâs hugely successful âDark Knightâ movie franchise, which should at least give it some momentum at the start. âThe name recognition helps dramatically to get people to sample a new series,â Mr. Campanelli said. âBeyond that, the proof is in the pudding. If the show isnât any good, people wonât care.â
Darcy Bowe, a vice president at Starcom, an ad agency with clients like Kraft and Kellogg, echoed that sentiment. âAnything that isnât ho-hum and typical is good,â she added. âIt canât be too dark or too grim, though.â
The âGothamâ creative team is led by Bruno Heller, the British creator of âThe Mentalist,â a crime procedural that CBS renewed on Friday for a seventh season. Mr. Heller and Warner, which controls DC Comics, built âGothamâ around a question the Batman comics never posed: What if a young James Gordon was the detective who investigated the murder of Bruce Wayneâs parents?
Warner was not making the rights to Batman available â he is too important as a movie property â but Mr. Heller, 54, is allowed to tinker with new back stories for Gordon and the franchiseâs villains. âI have always loved origin stories,â Mr. Heller said. âHow people became who they are is where the drama is.â
Fox won a bidding war for âGothamâ in part by agreeing to pay a penalty if it did not become a full-blown series. Mr. Heller and Danny Cannon, a veteran of the âCSI: Crime Scene Investigationâ programs, are the programâs executive producers. Ben McKenzie, known for âThe O.C.â and âSouthland,â plays Detective James Gordon. Jada Pinkett Smith joined the cast as the vicious gangster Fish Mooney. Bruce Wayne, who grows up to don Batmanâs cape and cowl, is played by a 13-year-old actor, David Mazouz.
âItâs a lot like telling stories about ancient Rome,â said Mr. Heller, who helped create the racy drama âRomeâ for HBO in 2005. âThere are certain things we know, but there are also gaps in the history, and you fill in the gaps with interesting stuff.â
This is not âSmallville,â the well-scrubbed Superman prequel that ran for 10 seasons starting in 2001. Mr. Heller â the son of Lukas Heller, who wrote screenplays like âWhatever Happened to Baby Janeâ and âThe Dirty Dozenâ â described the tone of âGothamâ as âGrimmâs fairy tales meets old gothic horror. Itâs deliciously dark. But itâs not a cold, fearful darkness.â
Mr. Heller did not want to divulge specific story lines, but he said that his James Gordon would not be a straight-up good guy. âIf youâre a cop in Gotham, you canât be an angel,â he said. âYouâre going to see a genuine moral struggle there. Heâs going to have to lie and cheat.â
Fox and Warner are keenly aware that âGothamâ must avoid the fate of âMarvelâs Agents of S.H.I.E.L.D.,â which thundered onto ABCâs schedule and then seemed to lose its way with lackluster story lines. (ABC considers âS.H.I.E.L.D.â a success, noting that the programâs ratings soar 65 percent when seven days of DVR playback are included.)
âThe networks are trying to capitalize on the theatrical success of superheroes, but that leads to extremely high expectations,â Ms. Bowe of Starcom said.
For his part, Mr. Heller said he would ignore the trumpet fanfare Fox plans to give âGothamâ at its upfront presentation on Monday.
âThere are a lot of corporate expectations,â Mr. Heller said. âIâm a little artistic in how I handle the pressure: I donât pay attention. Itâs impossible to do this job even on shows with low expectations if you let those thoughts creep into your mind.â
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