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The ads aim to show that “Levi’s are for everybody,” said Jennifer Sey, chief marketing officer.
WHEN the duo Peaches and Herb, known as âthe sweethearts of soul,â got back together, they sang, âReunited and it feels so good.â Now, an apparel brand reuniting after 16 years with an agency that was its soul mate for almost seven decades is declaring that its clothing feels good enough to live in.
The brand is the flagship Leviâs line of jeans, tops, jackets and other products sold by Levi Strauss & Company of San Francisco. A worldwide campaign that is about to begin includes commercials, on television and in movie theaters; print, online and mobile ads; billboards and other ads for out-of-home media; ads in stores and store windows; and a presence in social media like Facebook and Twitter.
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The campaign carries the theme âLive in Leviâs,â replacing âGo forth,â which had run for the last five years. The âLive in Leviâsâ campaign is being produced through a collaboration among an internal team at Levi Strauss; the House Worldwide, an agency in London that was acquired this month by Crispin Porter & Bogusky, a division of MDC Partners; and FCB, whose San Francisco office, with predecessor agencies, created campaigns for Leviâs from 1930 through early 1998.
Since then, the Leviâs brand has changed agencies several times, moving from the former Foote, Cone & Belding to agencies that included TBWA/Chiat/Day, Bartle Bogle Hegarty and Wieden & Kennedy. FCB and the House Worldwide were named in February to handle global marketing for Leviâs after the brand spent five years at Wieden & Kennedy, which created the âGo forthâ ads.
The reunion with FCB, owned by the Interpublic Group of Companies, occurred a few months after a reunion at Levi Strauss when Jennifer Sey, who worked on the Leviâs brand from 2003 to 2008, became its chief marketing officer after handling corporate tasks. âWhen I rejoined Leviâs in the fall, I looked at what we felt good about and what we wanted to improve on,â Ms. Sey said in an interview in Midtown Manhattan.
One conclusion was that âwe wanted to get a greater product focusâ in the advertising to âassert leadershipâ in the crowded, fragmented category of jeans and other denim apparel, she said.
The goal was to feature products in a nontraditional manner that would be inspired by âthe personal stories we get from our passionate fan base about the things they do in their Leviâs,â she added, âthe road trips they took, the pair they wore for 20 yearsâ and other instances of âauthentic self-expression.â
Other conclusions were that ads should âreflect a very optimistic attitudeâ among consumers, Ms. Sey said, and convey that âLeviâs are for everybody,â rather than an elite.
âWhen weâve been at our best,â she added, citing as an example the â501 bluesâ campaign that Foote, Cone & Belding introduced in 1984, âthe brand has been at the center of culture, not right on the edge.â
âWe had a great run with Wieden,â said Ms. Sey, who was among the executives who decided to hire the agency. âWe just mutually agreed it was sort of time to part ways; it was entirely amicable.â
Eric Springer, chief creative officer of the FCB West unit of FCB, which is working on the Leviâs campaign from its offices in San Francisco and Los Angeles, called the âGo forthâ campaign successful in its ability to âcapture the essence of the blue-collar worker mentalityâ at the roots of the brand.
âBut it got a little too hipster, a little too artsy,â Mr. Springer said, and âthe voice needed to be tweakedâ to âopen the brand back up to everybody.â
âIf you want to be big and popular, youâve got to go from playing the coffeehouse to playing Madison Square Garden,â he added. âDonât be so exclusive; be inclusive.â
That is particularly important for a brand like Leviâs, Mr. Springer said, because âthe first buyerâ of its products is âthe buyer at J. C. Penney, Macyâs, Dillardâs, who buys 50,000 pairs before the consumer buys one.â
As a result, the ads for the âLive in Leviâsâ campaign feature actors and models who seem more mainstream, though not the wholesome types or professional athletes in ads for denim brands like Wrangler. The casts are high-spirited and sometimes quirky, such as a man in soaked Leviâs pants who boards a bus, takes them off and hangs them out a window to dry. But the intent is not to be out there or off-putting; for instance, the man keeps on his underwear.
Some ads embrace inclusiveness by telling consumers they can do what they want with their Leviâs garments: âwash themâ or âdonât wash them,â ârock themâ or âroll them,â âunbutton themâ or âbutton them.â That is embodied by an ad for 501 jeans that declares: âThe 501. Started by us. Finished by you.â
The campaign will include ads for some of the âmore contemporaryâ Leviâs products, Ms. Sey said, like the 511 line of slim jeans for men. Those ads call the 511 âa classic since right now.â
Levi Strauss plans âa modest increase in dollarsâ devoted to advertising the Leviâs brand, she added, and hopes for âsignificant increases in reachâ by optimizing the brandâs media planning. OMD, part of the Omnicom Media Group, is the worldwide planning agency for Leviâs.
According to Kantar Media, a unit of WPP, Levi Strauss spent $26.7 million last year on ads in major media in the United States, compared with $40 million in 2012, $42.6 million in 2011, $71.5 million in 2010 and $61.5 million in 2009.
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